I have been performing and creating artistic work for over ten years, using performance as a means to express, process and question what's happening in the world. My practice spans circus, clown, mask and physical theatre, and is deeply interwoven with my research into ritual, tarot and myth. At the heart of it all is a fascination with the dance between the sacred, the profane and humanity's relationship with the natural world.

I have spent a lot of time in interactive and immersive roles, working with companies including Shotgun Carousel, Secret Cinema, Rogue Theatre, The Artful Badger, The Salon Collective, Fuerza Bruta, The Eden Project, Thimble Theatre, Rift and Mama Marbles — as well as a variety of festivals, French circus companies and events over the years.

My training has been profoundly shaped by contemporary theatre practices inspired by Jerzy Grotowski. I have trained in Poland with Matej Matejka from Studio Matejka, and trained and performed with Anna-Helena McLean from Moon Fool. Five years of intensive physical theatre and circus training gave me a deep foundation of embodiment — my body is my work, and that has remained true in everything I've created since.